Satire of art school
unfinished look ?
drawing vs painting hierarchy ?
giving up feel
victorian dolls > the more pattern on your clothes the higher class you are
how do you make art ?
push and pull of paint ?
the most important parts of a painting are finished
why are somethings completely unfinished and others completely finished ??? why not underpaint the whole painting ????
play factors off against each other ??
scruffy background vs porcelain
how do things hang on the wall ??? nails ?? (i like the rough nails)
reclaiming reusing things that would be left to decay
possibly two ideas present in staceys work ???
psychological effects of dealing with morbid material and ideas ??
trust that the ideas come through on their own ???
acrylic with an additive
Pot plants however they have died 😦
what is the purpose? (what a stupid thing to ask)
what is the relationship between the plaster and the seaweed and the size of the objects ???
location on the floor ???
sample dish size – to be effective there needs to be more
museum preservation ????
“closer to nature or further apart”????\
previous works were something that looks soft but is made from a hard material
pillow shaped – the work would be more successful if the pillows were larger ??
visual trickery bronze, latex materials that look natural however they are not ?
gathering and taking to a foreign site
is the seaweed sentimental?
think about the relationship between your materials
deception we think there is a sense of intimacy between the artist and the materials ?
could relate to experimental dyes ??? onion dye.?? beetroot dye??.
tapping on the surface of an idea ???
harmonious colour- what would occur is there was a discord in colour
cut of the everyday
does the snippet of the everyday provide enough satisfaction ?
ive never talked to holly however her work is very calming
i talk quite a lot with Orrin about her work and she helped me with the set up of my talk week work.
broken crosshatch form > talks about mark making
conversation between the two paintings> one is a response to the other
framing within a frame
raked lines- additive rather than subtract
personal interest in markmaking – methodical mark making
tension in the line> bumping and grabbing
line etching broken down. ? changing direction of the lines> frantic nature of the line
materiality completely different needs to be a closer response to the works ( i personally don’t think this)
“will it make sense by itself”- Toby Raine
take the works apart in isolation > is the work strong enough to stand by itself?
smaller work is Orrins new direction ?
no set goal to the final image ? more successful !
Orrin’s energy shows throughout her work~
How do you come to the final image ?
colour conversation, colour response, colour restriction are all themes in Orrins work
the boarder + or – lighter pink framed by the green ? ( i was on to something but forgot)
green is a response to the pink.
earlier work block colour field large scale = “natural form”
utterly different painting smaller pink obtrusive semi veiled painting more interesting without pink line.
Zim and Zou
Ignacio Canales Aracil